CINEMATIC SPOTS OF TIME

Our stories are delicate, and they ought to be told as such.

 

The pace at which I work upholds steadiness, slowness, and mindfulness to help create films that reveal deeper and quieter truths, rather than hurried and loud generalities.

The atmosphere of my creative process is just as important as the mood of my films. I aim to work alongside other artists who appreciate the fragility of the human spirit, the sanctity of life, and the sway of beauty.

 

Kindled by a fascination with the human experience, the art of conversation, and rhythmic emotional landscapes, I edit and write documentaries, films, and client videos.

My work has been screened on television and across film festivals. In 2018, Kosher Love, a  documentary I edited, was nominated for a Canadian Screen Award (Best Documentary Program)I am also a recipient of the Doc Accelerator Fellowship at Hot Docs, as well as a member of Canadian Cinema Editors and the Documentary Organization of Canada.

 

CINEMATIC SPOTS OF TIME

Our stories are delicate, and they ought to be told as such.

 

The pace at which I work upholds steadiness, slowness, and mindfulness to help create films that reveal deeper and quieter truths, rather than hurried and loud generalities.

The atmosphere of my creative process is just as important as the mood of each scene I edit. I aim to work alongside other artists who appreciate the fragility of the human spirit, the sanctity of life, and the sway of beauty.

 

Kindled by a fascination with the human experience, the art of conversation, and rhythmic emotional landscapes, I edit documentaries, films, and branded content.

My work has been screened on television and across film festivals. In 2018, Kosher Love, a  documentary I edited, was nominated for a Canadian Screen Award (Best Documentary Program). I am also a recipient of the Doc Accelerator Fellowship at Hot Docs and an associate member of Canadian Cinema Editors.

I hold an MA (with Distinction) in Documentary Filmmaking from Cardiff University in the UK, as well as a BA (Honours) in Literature and Politics from Queen's University. I also studied feature-length editing at PRIM in Montréal.

 
 

Let's tell a story.

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