Our stories are delicate, and they ought to be told as such.
The pace at which I work upholds steadiness, slowness, and mindfulness to help create films that reveal deeper and quieter truths, rather than hurried and loud generalities.
The atmosphere of my creative process is just as important as the mood of my films. I aim to work alongside other artists who appreciate the fragility of the human spirit, the sanctity of life, and the sway of beauty.
Kindled by a fascination with the human experience, the art of conversation, and rhythmic emotional landscapes, I edit and write documentaries, films, and client videos.
My work has been screened on television and across film festivals. In 2018, Kosher Love, a documentary I edited, was nominated for a Canadian Screen Award (Best Documentary Program). I am also a recipient of the Doc Accelerator Fellowship at Hot Docs, as well as a member of Canadian Cinema Editors and the Documentary Organization of Canada.
CINEMATIC SPOTS OF TIME
Our stories are delicate, and they ought to be told as such.
The pace at which I work upholds steadiness, slowness, and mindfulness to help create films that reveal deeper and quieter truths, rather than hurried and loud generalities.
The atmosphere of my creative process is just as important as the mood of each scene I edit. I aim to work alongside other artists who appreciate the fragility of the human spirit, the sanctity of life, and the sway of beauty.
Kindled by a fascination with the human experience, the art of conversation, and rhythmic emotional landscapes, I'm a Toronto-based editor who cuts narrative films, TV and documentaries.
A graduate of the Editors' Lab at the Canadian Film Centre, I am also a fellow of the Doc Accelerator Program at the Hot Docs Film Festival and an associate member of Canadian Cinema Editors.
This year, I won a Canadian Screen Award (Best Picture Editing, Documentary) for the episode "Haven, But No Heaven" of Black Life: Untold Stories (2023), a CBC docuseries that premiered at TIFF. And a short film that I edited, On a Sunday at Eleven (2024), is premiering at TIFF this fall.
Recently, I edited a Telefilm narrative feature, A Breed Apart (in post-production); worked as an additional editor on a Telefilm documentary feature, Monkey on a Stick (in post-production); and edited the final episode of Sounds Black for the History Channel (airing in 2025).
Previously, I Remember the Footprints in the Snow (2022) won the Outstanding Short Film Award at Reelworld. Faraway (2020) screened at over 30 film festivals around the world (including Slamdance, Camerimage, and RIDM) and received the Best of the Year Award as a Vimeo Staff Pick. Kosher Love (2017) was nominated for a Canadian Screen Award (Best Documentary Program).
